Beatriz invented Dante: she selected the boy and put into play all of her arts of seduction. It was an encounter designed by the distance of two subjects which discreetly observed each other since a hypothetical moment —on the Holy Trinity bridge— until a transitory point in which fiction runs the risk of losing intrigue’s enchantment on which it was being elevated on for years of evocation. Dante made of this drama a slightly human comedy. And Beatriz never could glimpse or guess the divinely angelic sense of her childish evil.
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Affair of spheres on the Arno River
Beatriz invented Dante: she chose the guy and put into play all their arts of seduction. A meeting was designed by the distance of two persons who are observed unobtrusively from a hypothetical moment —in the bridge Holy Trinity— up to a point in time that the fiction is in danger of losing the charm of the intrigue about which there was erecting after years of evocation. Dante has made this drama a little human comedy. And Beatriz never was able to glimpse nor guess the meaning of his divinely angelic child evil.
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